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We are here.  Diane Carlson (Sociology) and I are co-teaching v2.0 of Making Social Change, a hands-on course at the intersection of making and Sociology, in which we explore social movements and the ways that they use tools to enact change. We teach the class in the makerspace, and we’re working with a brave cohort of interesting students. We’ve been tweaking and adapting the content, activities, and flow, building on what we learned offering a prototype of the course in fall of 2017.

So far, we’ve spoken with Ivan in South Africa, a friend of Diane’s and an ANC activist who fought against apartheid…

Talking to a South African Activist

…worked with the laser cutter and 3D printer to create a Harriet Tubman stamp to perfect a twenty dollar bill…

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…and discussed memory and monument, working through James W. Loewen’s ideas in Lies Across America

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…and creating prototypes for potential monuments to be built on our college campus.

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About two years from our original idea, and after many hours on the greaseboard, and many prototypes and preview events, Sociology 379: Making Social Change has finally been born!  We’re joined by twelve brave, multi-talented, fascinating students, passionate about a wide array of social justice issues.

Making Social Change

The class meets once a week on Mondays from 1pm – 4:05pm, and we’ve met twice. We spent the first session framing the course and getting to know each other, doing some design thinking with the help of the Making Connections card game from the Children’s Museum of Pittsburgh, and building some low res prototypes.

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In our second session, we took a critical look at the “maker movement,” spending some time discussing “Making Through the Lens of Culture and Power: Toward Transformative Visions for Educational Equity.” (Harvard Educational Review, 86(2), 206-232.Vossoughi, S., Hooper, P. K., & Escudé, M. (2016), https://pdfs.semanticscholar.org/fa5b/4e88c78f380b4727d445afa33bea5212a21d.pdf), before students had the chance to begin work on their contribution to our tile project, which is a low risk/high reward, very accessible “first project” in digital fabrication.

David Creates his Tile

Really looking forward to continuing to work with these students, and to learning from this “version 1” prototype of the course!

As part of Social Justice Spring, Diane Carlson (Sociology) and I presented a preview of the Making Social Change course we’ve been working on.  Here’s a description of the session:

Making Social Change:  Seed Bombs & Scrambled Bratz (FLC Innovation Center)
Join us for an interactive preview of a new course that will explore the intersections of social movements, technology, tools, and the maker movement.  Come create, consider, collaborate, and culture jam!

 

Seed bombs…

Seed Bombs

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and scrambled Bratz…

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Presentation slides: https://docs.google.com/presentation/d/1SJTDnYs5oQglkyKP2CmsIKoqzbnU2IGkklahQrPKVB8/edit?usp=sharing

It is perhaps easier to understand how making applies to the STEM/STEAM disciplines than to disciplines like sociology.  In an effort to foster a Making Across the Curriculum ecosystem at the college, it’s important to find ways to empower faculty and students in every discipline with the tools and technologies, and perhaps more importantly the philosophy and ethos of the maker movement.  To that end, Diane Carlson (Professor of Sociology) and I have been working on developing a sociology course called “Making Social Change.”  Here’s a draft description:

Empowerment through the development of technological skills and access to tools is and will continue to be a significant issue in social justice work and social change.  In this interdisciplinary course, students will explore social change through movements, organizations, and groups and the ways those entities use, create, modify, and improve tools and technologies to support and drive change.  Students will analyze the contexts and tactics of these movements and synthesize their discoveries with hands-on experience using tools and technologies of the maker movement to develop projects designed to address social, environmental, and economic needs.

Below are artifacts of the two most recent brainstorming sessions:

Making Social Change - Round 1

Making Social Change - Round 2

Gandhi was a maker.

Gandhi was a maker
This photo of Gandhi is in the Public Domain.

The Dirty Lab – the largest project area in our space, with lots of movable work surfaces – is a great space for collective art.  We’ve hosted sign making for the March for Science, and students, faculty, and visiting artists collaborated on a banner for International Workers Day.  Today, students and faculty worked on signs for the National School Walkout and March 14, 2018.

Arms Are For Hugging

Some old school techniques…

No More Silence

…and some new ones.  We used the laser cutter to cut some 10 mil mylar – a new material for us that just arrived, and that will hopefully make our stencil activity for Making Social Change a little easier in the fall – creating an AR-15 stencil and accompanying “NO” symbol.

Krylon

Walkout Posters

Fired up by the sewing lab from a few weeks back, one of our Making Social Change groups ran with the quilt theme, creating an A-Z of Planned Parenthood quilt as their final group project. They used the laser cutter to cut various shapes and letters, and employed a variety of techniques, including embroidery and applique, to create their squares, and PVC pipe to assemble the frame.  Here they are putting the finishing touches on their project.

Preparing for Visit from Planned Parenthood

On Thursday, December 7, representatives from Planned Parenthood tabled outside the Falcon’s Roost, and our students staffed the booth and displayed their quilt. They got a lot of foot traffic, answered a lot of questions, and distributed lots of literature, including some from built-in pockets on the quilt.

Planned Parenthood!

It’s great to see our students using their skills and passion to take a project from idea to application, and this project is a perfect example of exactly what we hoped would be the outcomes of this course when it was just some ideas on a whiteboard back in 2015.

The theme for week eight of Sociology 379: Making Social Change was “memory” and its role in social movements.  We used timely news coverage of the controversy surrounding Confederate statues as a leaping off point for a discussion about monuments, using James W. Loewen’s “Ten Questions To Ask At A Historic Site” to frame the conversation.

We talked about a variety of examples, including EJI’s Community Remembrance Project, the Bussa Emancipation Statue, many from the San Antonio peaceCENTER’s gallery of Peace & Justice Monuments, and the relocation of Negro Hill Cemetery, an example from our very own backyard.  We also spent some time on the aesthetics and the design of monuments, including the role of light and shadow, scale, and subject matter.

Students were then presented with a mock RFP:

The Carlson Dowell Social Justice Foundation is seeking proposals for a monument – a permanent public art piece – to be installed at Folsom Lake College in spring 2018.  The monument will occupy a 50’x 85’ footprint adjacent to the Falcon’s Roost.  Whether your goal is to memorialize or celebrate an important social justice issue, your proposed monument must also educate, in keeping with the college’s mission.  The installation must also be interactive, encouraging students and the public to actively participate and interact with the work.

Specifications for the prototype included that it be free-standing, crafted at 1:24 scale, include at least one digital fabrication element – an object created/modified using the laser cutter, CNC, vinyl cutter, or 3D printer – and that it incorporate LED lighting.

Making Monuments Challenge

We took a walk out to the proposed monument site so that students would have a sense of the scale and surroundings.  Back in the lab, students set to work on their proposals.  In a very short time – about 2 hours, really – groups were able to craft some really thoughtful proposals and interesting prototypes.

David, Clarity, and Luna developed their proposal around the idea of differences and commonalities among Folsom Lake College students.  Their prototype was based on a maze concept, with many paths leading to a central common ground.

Making Monuments

Another group developed their proposal around issues of food distribution and food insecurity.  They incorporated a greenhouse into their prototype, using www.makercase.com to generate the cut file, and the laser to cut the parts from clear acrylic.  Here Nusaybah and Micaela are preparing to solvent weld the pieces together.

Putting the Greenhouse Together

Zainub, Heather, Jeremy, and Kila based their design on a View-Master Viewer, and were able to modify a Custom View-Master Disc they found on Thingiverse (CC BY TheHeadlessSourceMan), which they cut from wood using the laser.

Prototype of Interactive Monument (Based on a Viewmaster Viewer)

As the final step in the process, groups shared their proposals and prototypes and took questions from their peers.

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We’ve got a great group of students, and I’m continually impressed by their open, collaborative, and creative approach to the course.

Inspired by our class visit to the Rocklin Mini Maker Faire, where the bulk of our time was spent in the open sewing lab, we spent a recent session of Making Social Change creating applique quilt squares for a collective class quilt.  The Theater Arts Department loaned us seven machines to add to the one we have in the Innovation Center, and were able to borrow a few others from students and faculty so that each student would have one to work with.  Students started by selecting fabric from a beautiful trove of fabric samples (generously provided by our faculty researcher Jill Bradshaw) and used the laser cutter to cut out 12″ background pieces.

Sewing for Social Justice

We set up two ironing stations so that students could apply Mistyfuse backing, after which they cut applique shapes and words using the laser cutter (and sometimes good old fashioned scissors).

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T is for Transgender

We had a few folks with sewing experience, and some with none, but students helped each other, and Diane was around to provide guidance and pointers.

U Is For Uterus

Overall a very empowering and dynamic class session! Here’s a gallery of Diane Carlson’s (Sociology) photos from the day:

MSC Soc379 10.23.17

In Making Social Change today, we talked about Zapatistas and the Chiapas conflict, and the role of symbols and murals and art in political and social movements.  Based on social justice issues important to them, students then created stencils using Stencil Creator and cut them out of card stock using the laser cutter.  They spent the rest of the class spray painting their stencils on a makeshift gallery structure Diane Carlson (Sociology) and I created out of leftover metal shelves and an old scaffold that’s been out behind the Innovation Center for a decade or more.

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F*ck the Gender Binary!

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Great students, great class!